11/30/2013

Pagan society - part III - women


Note: this article describes only women's position in pagan societies, mainly in the context of local laws. I skip here the situation of roman and greek women ('cause everybody learns about it in school. At least here in Poland...) and will focus on germanic, slavic and baltic people. Their laws were very similar, so there is no point in dividing this topic unto three different parts. 
About celtic women you will read in an article describing the role of female element in celtic myths.

Mund
Mund (old germanic mundo, or latinized mundium) was a privilage of the head of the family. It litteraly means "protection", and it belonged to the oldest male member of the family (understood as all persons related by blood). The men who had mund over the other person (children, wife etc.) had a right to decide for him about marriage, his political actions etc. This power wasn't absolute (as many people think), but was of course limited by the law. Moreover, this privilige was also a kind of duty - to protect the family against all problems and dangers. It was indeed a matter of honor, but also the law. 
The institution of munduol was inherited. So for example when a father of the family dies, his oldest son take care of it. When he also dies, and there is no adult heir, the brother of the father take care over the family. Et cetera. 
There was also many kinds of mund. Other was mund under your own child, other under a wife and other under your mother-widow. 
Now, when this typically barbarian law is known to you, let me describe the situation of women. 


Their situation
Woman of those times (and I mean something around VIII-XII century) was always under protection of man, whether they wanted it or not. The society was than very patrarcharne, which means that it was dominated by man. It was beginning since the girl's birth day. The father were deciding if he accepts her as his daughter or not. And sometimes he actually didn't - if he suspected that his wife was cheating him with another man. In such case the girl was left in a forest, and a wife was sent back to her father (or oldest brother/son). 
The girl was raised only by mother (even with in those times father could spent quite many time with his children). Under her protection she was learning farm management, weaving, cooking. singing and of course how to influence men ;] Sometimes she was also learning how to fight, due to the fact that man (as a warrior) quite often was leaving his farm to raid some lands, or protect the tribal land. Eventually she could even became a shieldamaiden - a woman who decided to be a warrior (of course by a permission of her munduol). Altought it wasn't very popular (as pagan men weren't very happy to see women taking care of their traditional male activities) sometimes it happened - but only in the land of norse and russian people.
Most of the women became wifes. Icelandic family sagas show us clearly that very often a women were choosing husbands for their own. However sometimes father were urging them to get married with particular men. Just remember - the woman could refuse it. Forcing women to marriage was recognized as a big stain on the honor.
A marriage was a happy moment especially for the slavic fathers - because they were getting a big amount of wealth (or money, or land) for mund of his daughter. It is also important - a new husband was buying a mund from his wife's father, and not a wife as a person! It means that he was becoming a new protector of a woman. And by the way - a woman was also receiving her bride price just for her, as her own property. It wasn't a small thing - norsemen were able to give for example equivalent of annual profit of local forges. I don't have to mention that blacksmiths were one of the richest persons in such societies?
The women hadn't - of course - any political rights, but quite often they had a big influence on their husbands. Norse sagas describe many situations when men (like Sigurd) were taking advice of their wifes, or when woman had quite a big power and prestige in a whole scandinavian world (like Sigrid, a sister of polish prince Mieszko I).


But what happened when woman was abused in her home, she got raped by her husband or her spouse was insolvent? Well, she could ask her relatives to prosecute prepetrator of her misey on a local thing. She couldn't do it for herself, but a family was supposed to defend her in such situations. If he won a trial, she was free to go under a mund of her father/brother/oldest son. As a widow/divorcee she was receiving a right of re-marriage - from this time she could got married with whoever she wanted to. SHE was a side who was negotiating marriage, and not her munduol.
So to conclude - the position of women in pagan societies was different than most of people think nowadays.  In his work "Germania" Tacitus, a roman historian (56-117) was astonished how much freedom had germanic women (comaring to the situation of roman ones). The rights of pagan women were old, and well preserved through ages. Because pagan men, even if they were dominating in the society, understood very well how important to them were their daughters, wifes and lovers. 

Books:
K. Modzelewski - "Barbaric Europe" ("Barbarzyńska Europa")
Icelandic family sagas (click!)
Germania by Tacitus

Links:

Vladyka, written in the year 2013

11/27/2013

Jarun - "Wziemiozstąpienie" (2012)

Jarun

"Wziemiozstąpienie"

[Self-released]

2012



Jarun is a polish black/folk/progressive band founded by Zagreus in 2008 in Nowy Sącz. "Wziemiozstąpienie" (try to say it fast, huh!) is their debut album. A very tasty debut album, I must admit. I've heard many good opinions about this young horde, but the music that their bring us pass all my expectations. But ab ovo.
The core of the whole music is here black metal. If the band wants they can create good aggressive riffs, like they purpose was destruction of everything (parts of the opening "Wziemiozstąpienie" or "Niech moje słowa będą ogniem"). But black metal represented by Jarun is for most of the time more atmospheric, with big usage of acoustic themes and calm, muted parts. Evey track is full of such parts, so that it is hard to count which one would be a good example of such kind of playing (maybe "Deszcz", with the sounds of raining in the background?). Generally speaking the music is very dynamic, it changes quite often from one mood to another so that it's hard to get bored with that. That's the merit of a bit progressive approach. In such moments prevails calmer parts, giving a good oportunity for bass player to show that his instrument can be used in very interesting way. Such kind of playing reminds me some of "atmospherical" bands, especially polish Furia. 
The last element which gives Jarun very unique, original character are folk references. I would say that if at the beginning this "folkish" attitude is a bit hidden behind progressive and purely pagan metal kind of playing, than since the track "Przebudzenie" it prevails. To be honest it sounds amazing when progressive parts (raised from classic rock!) mix with folk tunes and black metal vocals ("Powrót"). Of course this effect is achieved only with usage of riffing - there are no traditional instruments in Jarun's music.
I am bought. Really - the creativeness of this black-metallers is so fresh and non-trivial that it is a must-have for every fan of a bit progressive, atmospheric music as well as fans of pagan metal. And good music in general ;] And about rating - it is so high inter alia because it's only a debut! Personally I hope that their another material will be at least as great as "Wziemiozstąpienie", if not better.

Rate: 10/10
Vadyka

Music "video" to "Zamieć":

Tracklist:
1. Wziemiozstąpienie
2. Deszcz
3. Prawdy ulotne
4. Przebudzenie
5. Niech moje słowa będą ogniem
6. Powrót
7. Zamieć
8. I znowu zima...

11/24/2013

Paper edition of the Heathen Altar Maga'Zine

 
The limited paper edition of the first Heathen Altar Maga'Zine issue will apear in 2014 - around February or March. It will contain every interview and all of the reviews from this site + some articles about paganism and history. Possibly you will find there also some extra adds. If you have any suggestions - contact me: heathen.altar@gmail.com 
BTW - I will be propably looking for somebody who is skilled in drawing. If you want to help me - you know how to find me. 
 
More info soon... Here.
 

Percival - "Slava!" (2012)

Percival 

"Slava!"

[Self-realeased]

2012



Percival is a side-project of folk metallers from Percival Schuttenbach. This polish band released in 2012 an album entitled "Slava!", which will be a part  of slavic trilogy. This album is focused only on the traditional songs of South Slavs (click to learn more).
Hmm, and what can I say? The previous album album was good. Maybe it wasn't a revelation, but it was a good piece of music inspired by the early Middle-Ages' tunes. But sorry to say, "Slava!" is worse. Moreover - in some moments it's indistinct. Let's take, for example, the second song "Delberino". The song is not very dynamic, instruments are not outstanding in this track and the vocalists sing like if they do not wanted to do it. Tragedy. There are though here some tracks that are interesting like e.g. "Gusta" or "Karanfile" with a bit mysterious atmoshphere. But most of the tracks are mediocre. Yes - not bad, but also not good. Just mediocre. I know some of these tracks in other arrangement by artists from Balcans - and they have much more power and energy than Percival's versions. I don't know why - maybe because of the southern temperament, maybe because people from Balcans know better their own culture. But anyway they are better in performing this kind of music.
The other case are instruments. In my opinion - if you want to play a music from certain region, you should use instruments from this region. However Percival is just using their own instruments, inspired by Middle-Ages stuff. Sorry to say, but I don't like it. It was OK on the previous album, but here it doesn't fit the music at all.
Generally speaking if you are doing something, and you want to listen to some uncomplicated music this album will be a nice soundscape. But if you want to listen to some real, energetic folk music let better seek for something else. There are much better balcan folk albums than this. What a shame that this one sounds so poor, but I hope that the next Percival's album will be better. There are no many talented folk musicians here in Poland, and these guys are one of them. I wish they won't waste their talent.

Rate: 5+/10
Vladyka

Music video for "Gusta":


Tracklist:
  1. Gusta (Serbia)
  2. Delberino (Bulgaria)
  3. Karanfilče (Serbia)
  4. Vrsuta (Montenegro)
  5. Lazare (Bulgaria)
  6. Korita Ivanova (Montenegro)
  7. Ne orji, ne sejaj (Slovenia)
  8. Naranča (Croatia)
  9. Žali Zare (Serbia)
  10. Ljubav se ne trži (Croatia)
  11. Šta to radiš (Serbia)
  12. Karanfile (Bosnia)
  13. Dve nevesti (Macedonia)

11/21/2013

Maras - "Mienje Na Svetcite" (2012)

Maras

"Mienje Na Svetcite"

[Self-released]

2012



OK, this review will be short, because "Mienje Na Svetcite" is just a single with only one track. It was recorded by macedonian band Maras - you must admit that it sounds kinda exotic, huh?
The music bases here on slow, guts crushing doom riffs with black metal feeling and very condensed, stifling production. One of the better elements here is surely a vocalist - the guy is spitting out deep, stertorous growls like some possessed demon (yeah, I know, veeeery original comparison). The music sounds quite powerful, and later it turns into a bit cacophonous-tribal areas. That's because of traditional balcan instrument - zurla - which creates very strange, disturbing atmosphere. If you can't imagine it you should know that it sounds similar to what you could hear on Rotting Christ's last albums (I mean this kind of trombone). The whole composition creates quite an interesting atmosphere. It works very well in a small dose of single, yet I am a bit affraid that in the long run of LP it could be tiring.
And that's it. You can check for yourself if this track is worth your attention or not. Personally I liked "Mienje..." well enough to wait for the upcoming full-lenght album (coming soon at the beginning of 2014).

Rate: 7/10
Vladyka

Click here to download the official single for free from Bandcamp.
Official single on Youtube: