Irminsul - "Fäder" (2013)

Irminsul 

"Fäder"

Purity Through Fire

2013

Many people say that a reviewer must be objective in his work. That no matter how much he doesn't like certain genres of music he have to rate band's music by looking at their skills, sensitivity etc. 

Well, I guess that you know why I had written such an introduction. The music of this swedish horde is defenitely not something that I like. Moreover - the tunes that they are presenting belongs to the category called "Damn, not this again...". Partly is is my fault, because I searched this album by myself. I saw a cover, I've listen to a beginning of the first track and said "well, maybe it'll be good." Well, in my opinion it is not. I know that you will call me an internet-warrior, poser etc. But I gave some time to find something interesting here, so I will write what's following. 

The first track is indeed not bad - especially guitar riffs are quite interesting, even if not revolutionery. Yet the first groop that came to my ears were those keyboard-violin tunes in the backgruound. In some places they sound like a more frugal version of Nightwish or some Sonata Arctica thing.

Well, unfortunetely the band seems to really like that kind of playing, because already in the second song they are turning into more power-metal style. When I hear sweet keyboards, female nice vocals and sad riffs mixed with harsh vocals I know that this is not something for me. I even understand the idea of oldschool power metal in vain of Manilla Road, but I can't stand Sonata Arctica-like things mixed with music inspired by older Ensiferum albums. For me it is a pure horror! But a real horror is a track number three, where a singer decides too to do some sweet melodies. And it goes like this for almost whole album - sometimes it's more power metal, sometimes it's more similar to Ensiferum. By the way I am very curious where other reviewers hear on "Fäder" some folk influences. Those sweet-like-hell acoustic guitars and maudlin violin and fluet motifs have nothing bounded with folk music. That's just my opinion, but if a band wasn't promoted as a thing for fans of Falkenbach, Skyforger or Manegarm I propably wouldn't listen to it.

 I must also confess that this is the first album that I couldn't dare to listen integrally - I had to make a break in the mid. This is a good conculsion what I think about this album - for me it is just a waste of time. I hate such a mix of sweetness and brutality. Brutal things should be brutal, and sweet thing should be called pop music. 

If you don't vomit with a rainbow when you hear a music of mentioned below bands, you can check this album. Otherwise stay away from it. BTW I wish Irminsul all the best in the future - but I hope that I won't meet your music in my life anymore. That would be best for us all.

Rate: not-very-high/10

Vladyka

A Youtube "videoclip":

Tracklist:

1. Stupagraven

2. Nattramn

3. Galgaman

4. Hagridden

5. Letters from the Past

6. Bäckakarlens dans 

7. Clades Variana 

8. Ölbänk 

9.  Neverending Story (Limahl cover) 

Total time: 52:15

Interview - Ereb Altor - Forging a sound with elements of both black and epic metal

Read a review of "Fire Meets Ice" here. 
Ereb Altor is hailing from Gavle, Sweden. It was founded in 2003 and plays Viking metal highly influenced by a legendary Bathory. Yet this is not their only inspiration, and Ereb Altor's music clearly shows that the band has their own identity. Interested? If yes, read what Mats (Vocals, guitars, bass, keyboards) have to say about his fascinations (both musical and other ones), music and some cultural issues. Fans of epicness in music - this can be something for you!

1.Hailsa! First of all I would like to know how people in the undeground reacted on your last opus "Fire Meets Ice"? Did you receive some negative opinions?
The reactions have been great, better than after our previous albums. Great reactions when it comes to mails from fans and also great reactions from the media, both underground and bigger magazines.

2.We can listen to "Fire Meets Ice" a year after releasing of your previous album, that's kinda fast! Moreover, the material seems to be different than "Gastrike" - it's less black metal, even if there are some black metal influences in your music. Why did you decide to return to this more viking metal style?
Both "Gastrike" and Fire Meets Ice was written at the same time musically. I chose the more harsh songs for "Gastrike" because of the lyrical approach on that album.
I think "Fire Meets Ice" unites the history of Ereb Altor, forging a sound with elements of both black and the epic. It was a challenge to make an album with all these elements but I believe we succeeded.

3. The material is also highly touched by an almighty spirit of Bathory. I know that questions like this one are present in every interview with you, but do you imagine the world without Quorthon'smusic? And how do you think he would comment "Fire Meets Ice" if he was still alive?
Yes, it’s true that he had a great impact on my world of music. It’s impossible for me to imagine how it would be without it.
Quorthon would probably not comment the album at all, or say something weird as he did in most of the interviews.

4. Do you think that this is important to keep the spirit of oldschool viking metal alive, if we are around this subject? How do you personally rate the present scene - it's strong, weak or simply mediocre?
To be honest I don’t listen that much to the viking metalscene, mostly because I can’t recognize it. It doesn’t sound the way at all as it did when I grew up with "Hammerheart" and "Twilight of the Gods".
To me the old school Viking metal is glourious and let’s stick with that.

5. I suppose that Bathory had also started your fascination with norse mythology and history in general. How important are those topics for you? And here's my favourite question to scandinavian bands, hehe: what do you think about those who are worshipping norse gods nowadays? This makes sense in our high-tech societies or not in your opinion?
I am interested in mythology and supernatural things in general. Not only Norse mythology and legends from Scandinavia. But since we have a nordic touch in the music and we are from Sweden I think it suits us very well to deal with such topics.
I think everyone is entitled to worship any religion as long as no one is forcing others to follow their belief. But to me it’s more about inheritance and history, to understand how things were from where we come from.

6. Your lyrics are also inspired by a fantasy literature. You even named your band after a fantasy roleplaying game. It was in your youth, but do you still have an interest in such kind of stuff? Can you name some of your favourite authors?
I grew up playing fantasy games and I grew up with reading Lord of the Rings but I wouldn’t say I am a big consumer of fantasy litterature nowadays. I mostly read historic litterature and books about folklore. I also read regular books about murders and so on but no fantasy. And there isn’tmuch inspiration from fantasy in my lyrics either though it was supposed to be from the beginning but I changed the direction and focused on our inheritance and dark stories from the north instead.

7. In some moments, and especially in "The deceiver shall repent" I hear an echeos of some more traditional music, even if I wouldn't describe it as folk. Some more epic moments remind me a heavier soundtrack to some movie. So what would you say if some director had called to you and proposed to compose music to his new, upcoming epic movie about vikings? Agree or not and why?
Perhaps you are right… I thought the album needed some traditional elements to fulfill the dynamics.
Of course I would say yes, it would be a challenge! I’ve never done such a thing and I belive it would be a good experience.

8. Ha, speaking of movies, I like your lyric-video to "Nifelheim". Can you tell me who's the creator of it? And do you have any plans to record a real videoclip in the future?
It’s done by Luigith Web design (www.luigiht.com).
We have discussed to record a real video many times and I hope we will soon!

9. Modern pop-culture seems to be full of vikings, norse mythology and cliches bounded with them. Why in your opinion we can observe such an excitement about your ancestors' culture? Sadly, too many times a topic is treated very superficially...
The pop-culture touches everything sooner or later but only for a short period of time so it was inevitable that it would come across Norse mythology at some point. Trends come and go and most of the time the research is not the best.

10. OK, back to your music. "Fire Meets Ice" has a strong relish of doom metal, and I know that in the past it was even stronger. Because of that diversity of your musical fascinations, your own music is more diverse itself, and thanks to that more interesting. Am I right, haha? But while listenning to your albums, do you have sometimes thoughts like "Damn, that riff sounds too much like Bathory"? Or the opposite - "Shit, Candlemasshad stolen our riff!".
I’m actually not focusing that much on riffs, I focus on a song entirety. Working with atmospheres.
Even if you still look at one single riff and it might be sounding a lot like for instance Candlemass you can make the music sound different still, working with song harmonies, keyboards, basslines etcetera.

11. By the way, don't you think that closed-minded musicians are a problem for many genres in a modern metal music? I am not saying of course about being desperetaly original at all costs, but about an own identy.
It’s important to have an own identity and I think we have. But trying to be too original often complicate things too much and the most important thing, making good music, can be lost.

12.  You released your new album via Cyclone Empire. Are you happy with it? And why did you left Napalm Records - you weren't pleased with them? As far as I know, your second band Isole is still in Napalm, can you explain it?
Yes, we are very happy co-operating with Cyclone Empire, it was a good and natural step for us. We wanted a label that believe in our music and a label that are dedicated to us. Napalm Records have a lot of bands and a lot of them are much more famous than Ereb Altor so I think we will benefit with a smaller label that put more effort in the band.
Yes, Isole is still in Napalm Records.

13. Speaking of Isole - what's going on in this camp? Do you have any plans of releasing some new material?
We are recording a new album right now. But I want [propably Mats wanted to write "won't" - Vlad.] be giving you any details.

14. OK, now's time for a few short questions not bounded with your band. What is your favourite:
- beer
I don’t like regular lagers that much… I’m more of a Guinness guy.

- band (besideBathory ;])
Opeth

-hockey team?
Don’t like any hockey teams at all… I like soccer… Liverpool!

15. And at the end, please tell us about Ereb Altor's future plans.
In March next year we will go on a European tour with Borknagar, Månegarm and Shade Empire. We will do a release of some new material in one way or another, perhaps a 7” vinyl.
We also have some festivals booked and we are focusing on getting more festivals with ourbooking agency ”Doomed Events”

16. All right, that's everything I wanted to ask. Thank you very much for your time! The last word is traditionally yours.
All Hails to Quorthon !
See you in Valhalla !

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A lyric-video for "Nifelheim" on Youtube: (click!)

Photos: band's archieve.
Interview by Vladyka 2013. Please do not copy this interview without HA'Z permission. Respect the copyrights!

Grá - "Necrology of the Witch" (2013)

Grá

"Necrology of the Witch"

Unexploded Recs.

2013

Grá is a swedish black metal quartet (or rather horde, ha!) founded in 2010 in Stockholm by the members or inter alia Domgård and Cursed 13. The guys have one longplay on their account and two EPs. One of them, "Necrology of the Witch", they released in march of this year. So this review is not very quick, but fuck it. The music counts the most after all.
Generally speaking, even if the band is from Sweden that doesn't necessarily means that it is under the influence of the swedish scene. Sure, from time to time we can hear some echeos of swedish bands (like Marduk's slower tracks) but I think that more influencial for Grá is Norway, especially Mayhem and Burzum and also something else, yet I cannot remind what. Anyway these are loose associations, because the band has defenitely it's own identity and doesn't copy blindly somebody's work.
The music mostly changes tempo from quite fast to rather slow. Faster parts (like in "Worms and Crowns) are mostly a solid, purely black metal tunes. They sound good, although are not very original. But I suppose that maniacs will not care about such things, will they? Especially that sometimes musicians add some strange sounds in the background, which make those parts more listenable. However most of the album is filled with slower parts, which sometimes sounds really intriguing. Occasionaly it sounds close to mentioned Burzum, especially drum parts on the best track of this album -  Helfärd II. Big usage of cymbals is something that I defenitely like! Also the usage of tremolo picking by solo guitarist, blurred, hypnotic tunes of lead guitar and mentioned slow drumbeats creates a very sinister, and at the same time melancholic atmosphere which in some way can loosely associate with "Filosofem".
Interesting is the usage of several different sounds. An opening "In Cordibus Vestris" is built up from bell sounds and a vocalist singing something with clear voice in latin in a manner of the prayer. It's a really good opening, I admit it even if I don't like such things (mostly they are boring). Also quite interesting is the track "On the Way to Styx" with sounds of raining, water (swimming?) and falling coins. All those who knows well greek mythology should appreciate such kind of metaphorical journey.
The last track is a cover - "Freezing Moon", to be more precisious. To be honest it's propably the worst part of this EP. I mean it's OK, but first of all there are thousands covers of that track. What is the point in doing it again? And secondly - the original version is better (not mentioning a live version from "Live in Leipzig" with Dead on vocals). Though I understand the idea of honoring favourite artist.
So to sum up - "Necrology of the Witch" is a solid portion of tradtional black metal. Maniacs should put it on their list "to buy in the next month" very quickly.

Rate: 7+/10
Vladyka

An official promo-video:

Tracklist:

1. In Cordibus Vestris

2. Necrology of the Witch

3. Οδεύοντας προς την Στύγα (On the Way to Styx) 

4. Worms and Crowns

5.  Helfärd II 

6. Freezing Moon (Mayhem cover) 

Total time: 27:56

Katatonia - "Dead End Kings" (2012)

Katatonia

"Dead End Kings"

Peaceville Recs.

2012

I was waiting for this album with big misgiving, since previous album "Night Is The New Day" simply disappointed me. There were some good songs, but generally speaking it was boring and emotionless. "Dead End Kings" is a bit better, but still it's more or less the same case.

Well, let's start with something positive. First of all, the layout is really amazing! It's done in "modern" style, yet I love such weird, surreal kind of art. To be honest I bought this album without even listenning one song, just because I saw this amazing cover in a music store. 

Also a modern, clean production is something I liked. Of course it's a matter of taste, but I'm quite OK with that. You see, I hate such sound while it come to more traditional metal. But here everything highlights a bit surreal atmosphere, which is cool. The only thing that I haven't like is a sound of vocals - sometimes there are superimposed two tracks of singing, one on another, and it sounds just awful. 

 Most of the songs are being played in the style that Katatonia elaborated somewhere upon "Viva Empitness". Thanks to a new production many times they sound a bit psychedelic (like in "Hypnone"). Jonas still sings in this characteristic manner of a guy who really doesn't care about anything. It works (as always) if a song is, let's face it, emotional. If not, it's simply getting boring. 

And here's the main flaw of this release: some tracks are so emotionless that together with this clean production and monotonous vocals are making me sleepy. Maybe that was intented, but to be honest if I want to sleep I simply do it, without any boosters. For example the second track is so sweet and tiring that I am really wondering why they decided to record it. Silje Wergeland, who has sang in it, really doesn't help. In fact her vocal is just annoying. Or look on another boring track - "First Prayer". It extends and extends, but nothing really happens. The song is passing by, while I am falling into the arms of Morpheus (no, not this from Matrix).

Luckily there are some highlights. E.g. "Leathen" is a great track, full of sorrow and desperation, also an opening "The Parting" is a very strong position. Agh, if the whole album was as good as those tracks...

I could grumble like that for a long, long time but it really doesn't has any sense. Let's say that 60% of music on this album is really good. The rest is an ordinary boring stuff. If you're a fan of Katatonia, you should check it by yourself. Maybe you won't be disappointed - unlike me.

Rate: 6/10

Vladyka

Tracklist:

1. The Parting

2. The One You Are Looking For is Not Here

3. Hypnone

4. The Racing Heart

5. Buildiungs

6. Leech

7. Ambiotions

8. Undo You

9. Leathen

10. First Prayer

11. Dead Letters