Showing posts with label norse mythology. Show all posts
Showing posts with label norse mythology. Show all posts

1/09/2014

'Vikings' series - short review


On 3rd of March 2013 canadian History channel premiered their new series - Vikings. The show was quite succesful, not only in States and Canada, but also in Europe (including Poland). I can't say - I've been also waiting for it, like many people interested in Viking Age. Well, I must say that in many ways I am disappointed, but there are aslo things that I admire very much. But let's start this revie from the very beginning.
First of all - the plot. For those who had never heard of Vikings, here you have an abbreviation from Wiki:

The series is inspired by the tales of the raiding, trading, and exploring Norsemen of early medieval Scandinavia. It follows the exploits of the legendary Viking chieftain Ragnar Lodbrok and his crew and family, as notably laid down in the 13th century sagas Ragnars saga Loðbrókar and Ragnarssona þáttr, as well as in Saxo Grammaticus's 12th century work Gesta Danorum. [...] The first season portrays Ragnar (Travis Fimmel) as a young Viking warrior who longs to discover civilizations across the seas. With his friend, the gifted craftsman Floki (Gustaf Skarsgård), he builds a new generation of faster longships and challenges the local ruler, Earl Haraldson (Gabriel Byrne), a man of little vision, to allow raids into unexplored North East England. He is supported by his brother Rollo (Clive Standen), who secretly covets Ragnar's wife, the shieldmaiden Lagertha (Katheryn Winnick). Ragnar succeeds in carrying out the first Viking raids into the English kingdom of Northumbria, returning with rich loot and the monk Athelstan (George Blagden) as a slave. This not only earns him the enmity of King Aelle (Ivan Kaye), but triggers a series of increasingly violent confrontations at home with the autocratic Earl, ending with Ragnar killing and succeeding him. Ragnar pledges fealty to King Horik (Donal Logue) and represents him in negotiations about a land dispute with Earl Borg from Götaland (Thorbjørn Harr), in the course of which he is seduced by the princess Aslaug (Alyssa Sutherland).

Source: Wikipedia


The fact that screenwriter created his characters bases on many different sources is really great. Anybody who is at least a bit interested in the subject should be pleased with it. From the other side somebody who is a total layman will be also enjoy the characters - each of them have their very own personalities.
The firsts episodes (to the one when Earl's killed by Ragnar) are really great. Vikings sailing across the unknown sea, raiding english lands - all of those things makes good impression. History of Ragnar draws very quickly, and there are no signs of boredom. I am especially pleased with battle scenes - in my opinion they are done perfectly. Not only because of great acting - I mean also historical facts. There are no objections from my side here.
Right after a plot this is a great advantage of this series - it shows the real life of a norseman. Although There are some small mistakes (some og the haircuts are older than from VIII century, thing should be done in the sacred place, and not jarl's house, spitting into the bowl taken from XIII Warrior etc.), generally speaking the whole, let say, 'material' side of Vikings is damn good.
However, I have a big problem with what is presented here as 'viking' spirituality. The basic problem is that creators of this show were looking on pagan tradition through the eyes of modern (so for many - christian) man. Examples are sadly numerous, so let talk about some of them:


- Floki, after the baptism of Rollo, is upset by it and call him a traitor of the gods - Scandnavians were at that time politeists. That means that they were worshipping many gods. Maybe later, when christianity was seen as a danger for their freedom, they would react like Floki. Yet at the beginning they couldn't understand the fact that there can be only one god, who is expecting to worship him as the only one. In fact, there are written sources (carolingian) which says that viking warriors seen baptism as a kind of agreement between them and their christian overlord (when they were being hired by carolingian kings for service). They were figuratebily hailing the god of their suzerains - and that's it.

- the episode in Uppsala temple - everything here is just a fantasy of the screenwriter. From the appearance of the priests, through the whole event to the most important - meaning of the whole sacrifice. First of all - Uppsala was never any placy of pilgrimage. Secondly - their descriptions in christian chronicles seems to be very exagerrated comparing to archeological findings. I even won't recall the fact that there are no evidances of any sacrifices. The 'temple' could be just a bigger jarl's halla (although for sure there existed a certain cult of some kind, but smaller).
What also really makes me angry is when all the characters treats myths as some real dogmas. You won't believe it, but myth is something different than a dogma. Everybody could interpret it in his own way - or even not believe in it at all! So people who are sacrifising themself for good of all other people in Midgard (like one of main heroes in the movie) is just a bullcrap

- sex scenes - for example when Ragnar wants to have a threesome with a priest and Lagertha. Partly I have written an article about it (here). Having sex outside marriage was seen as one of the biggest crimes on society - so none of the self-respecting vikings would do that. This concerns also Rangar's adultery.


Last episodes are disappointing - not also because of mentioned mistakes, but also in my opinion the action severely slows down. It is not as dynamic as in the beginning, and in some ways it's a bit boring. I know that there are no chances in 'repairing' the spirituality of the characters. But I hope that the plot will focus on sailing, raiding, exloring and other activities that seems to be much more interesting than taking part in fictional rituals or boring scandinavian politics ;)

10/24/2013

Icelandic sagas and secrets of the runes

 

As you already know, from time to time I try to write here on Heathen Altar articles about european history, traditions, mythologies etc. Today I will use something which is not written by me, but what you should find interesting. Here are some links to the useful sites - take a look:
Icelandic Saga Database - if you can't find some icelandic saga in physical copy, here you have it online.
Runes, alphabet of mystery - a great site containing information about meaning of the runes, their history etc. as well as some sagas and source texts.
Runy - something for polish-speaking users. It's not as good as the upper site, but it can turn out that it's also useful.

10/05/2013

Carpe Noctem - "In Terra Profugus" (2013)

Carpe Noctem

"In Terra Profugus"

Code666 Recs.

2013



Carpe Noctem is a band from Iceland. And also from three other places, 'cuz that's a name of three other bands, which are now dead and gone. So their name is not really original, but luckily their music is way more.
The album starts with some disturbing noises and slow, heavy riffs reminding me an ancient death/doom from the sign of Celtic Frost. But after some time it changes to extremely fast and heavy cannonade of more modern black metal (with influences of Gorgoroth and some other bands from the second wave). And I must say that the band knows how to create a a total sonic annihilation! The music is almost litteraly destroying auditory system with fast parts, and a vocalist screams like some old, possessed demon! His growls are deep as a well and very powerful.
Yet quite often the band is turning to slower parts. And that's those most original moments. For me icelandic music had always a bit of psychedelic sound (and I am talking here not only abot metal scene). And that's also the case of Carpe Noctem - the slow parts are a bit fuzzy, and quite often accompanied by weird noises like e.g. forged piano sounds in slower parts of "Ars Moriendi" or orchestral samples here and there. But I must admit that even if the music slows down, it doesn't loose it's heaviness or power. So don't expect some post-rock like riffs. "In Terra Profugus" sounds strange and sinister for almost all the time - both in quick, destructive parts and slow, psychedelic ones.
It's hard to indicate which track is my favourite or which is the worst - the album is incredible for almost all the time. That music is really addictive - I listen to it for some time now and I don't think that I will forget about this album in the nearest future. And what's more surprising "In Terra..." is just a debut album (beside two demos and an EP)! Yet Carpe Noctem has already procreated a monster - a horrific and grim soundtrack through the mind of a madman. I recommend this release to every fan of extremity. And expect another portion of insanity in the future!

Rate: 9+/10
Vladyka

Tracklist:
III Odium Somniferum
II Ars Moriendi
I VITRIOL
II Metamorphoses Maleficarum
III Hostis Humani Generis